THE COLLECTION
The Van Abbemuseum possesses a rich and diverse collection of close to 2700 works, one of the most important collections of modern and contemporary visual art in the Netherlands and abroad in the Flemish and German region.
The collection covers the period starting in 1900 and is composed of a number of well-developed ensembles, of which the Lissitsky collection is of major importance. The collection features a number of key artworks from Hommage à Appollinaire (1912) by Chagall, Die Macht der Musik (1918) by Kokoschka, the Prounenraum (1923, reconstruction 1971) by Lissitzky, the Beuys room from 1971 and the Tapis de Sable (1974) by Broodthaers to the installations Categorical Imperative and Morgue (1999) by Mike Kelley, Aktiengesellschaft (2002) by Maria Eichhorn, Piccadilly Circus (2003) by Paul McCarthy and Repetition (2005) by Artur Zmijewski.
Library and archives
We consider our archives and library collection a part of the museum collection. More and more, we are realising how important the information in our archives is for conducting research on the museum in general and the collection of art in particular, now and in the future. Living Archive, a series of documentary exhibitions that use the museum’s archives as an active working memory, emphasises that the idea of the archive is constantly present in the museum. The library collection mirrors the museum’s history, in terms of both its purchases and its own exhibitions.
Research
One of the museum’s key tasks is research. Over the next years, our research activities will centre around the museum as archive, new models and possibilities for collection forming and presentation, museums as ‘creative innovators’, studying the white cube, and other topics. The results will be presented through our own publications, exhibitions and collaborations with curators and museums worldwide.
Plug In
Re-imagining the collection
Taking the labyrinthine architecture of the new building of the Van Abbemuseum and the fragmented character of the art collection as our point of departure, we came up with a new, experimental presentation model called Plug In, which started in 2006. Until November 2009, the collection was exhibited in a series of separate, independent presentations that dared visitors to find their own way and make their own choices, giving imagination free reign.
The collection online
In this online archive, you will find information on 150 works from this impressive collection. You have several search options for exploring the archive and can obtain information on the artists, works, movements and styles. The documentation of these works is only the beginning of a major project to make the entire Van Abbemuseum collection accessible online.
Works on tour
The Van Abbemuseum regularly loans artworks. To view the object lending procedure click here
These works from our collection can currently be seen in the following exhibitions:
Repertoire by Dan Perjovschi
can be seen in exhibition: Solo exhibition Dan Perjovschi
02/02/2013 - 01/09/2013
KIASMA, Helsinki, Finland
Top Secret by Nedko Solakov
can be seen in exhibition: Retrospektive Nedko Solakov
15/05/2013 - 25/08/2013
BAWAG contemporary, Vienna, Austria
Ecce Homo I by Marc Mulders
can be seen in exhibition: Openingstentoonstelling Marc Mulders
05/04/2013 - 22/09/2013
Noordbrabants Museum, Den Bosch, The Netherlands
Le monde perdu by Asger Jorn
can be seen in exhibition: Heropeningstentoonstelling
13/04/2013 - 30/09/2013
Rijksmuseum, Amsterdam, The Netherlands
int.al. Fragment of a Crucifixion by Francis Bacon
can be seen in exhibition: FRAMED
24/05/2013 - 08/09/2013
SM's, Den Bosch , The Netherlands
Scene met dwergen by Jan Miense Molenaer
can be seen in exhibition: De collectie drie:'De collectie verrijkt'
16/04/2011 - 30/07/2014
Museum Boijmans van Beuningen, Rotterdam,The Netherlands
The newests acquisitions:
Yael Bartana, The Missing Negatives of the Sonnenfeld Collection, 2008 [photography]
IRWIN, Kapital, 1987-2008 [installation]