Surasi Kusolwong, Naked Machine (Volkswagen Modern), 2000-2011, installation view Van Abbemuseum. Photo Peter Cox  DSC9821
Surasi Kusolwong, Naked Machine (Volkswagen Modern), 2000-2011, installation view Van Abbemuseum. Photo Peter Cox DSC9821
Erwin van Doorn, ... maar nu moet het maar ..., 2007 – 2010. Installation view Van Abbemuseum. Photo Peter Cox
Erwin van Doorn, ... maar nu moet het maar ..., 2007 – 2010. Installation view Van Abbemuseum. Photo Peter Cox
Marko Peljhan, Territory 1995, opening Van Abbemuseum 2 April 2011. Foto: Van Abbemuseum
Marko Peljhan, Territory 1995, opening Van Abbemuseum 2 April 2011. Foto: Van Abbemuseum
Richard Long, Wood circle, 1977. Installation view Van Abbemuseum. Photo: Peter Cox
Richard Long, Wood circle, 1977. Installation view Van Abbemuseum. Photo: Peter Cox
Joseph Beuys, Voglie vedere i miei montagne, 1971, installation view Van Abbemuseum. Photo Peter Cox
Joseph Beuys, Voglie vedere i miei montagne, 1971. Installation view Van Abbemuseum. Photo: Peter Cox
Surasi Kusolwong, FeetBall Rietveld Table (Klompen Kick Yes-No-Ok), 2008. Installation view Van Abbemuseum 2008. Photo: Peter Cox
Surasi Kusolwong, FeetBall Rietveld Table (Klompen Kick Yes-No-Ok), 2008. Installation view Van Abbemuseum 2008. Photo: Peter Cox
James Lee Byars, Hear TH FI TO IN PH Around This Chair, 1978. Photo: Peter Cox
James Lee Byars, Hear TH FI TO IN PH Around This Chair, 1978. Photo: Peter Cox
Anselm Kiefer, Fallender Engel, 1979. Photo Peter Cox
Anselm Kiefer, Fallender Engel, 1979. Photo Peter Cox
Oliver Ressler, What Is Democracy?, 2009. Installatie / Installation: Peacock Visual Arts, Aberdeen, 2010
Oliver Ressler, What Is Democracy?, 2009. Installatie / Installation: Peacock Visual Arts, Aberdeen, 2010
Sieverding Nachtmensch 1197
Katharina Sieverding, Nachtmensch, 1982. Photo: Peter Cox
Anselm Kiefer, Wege der Weltweisheit, 1977. Photo: Peter Cox
Anselm Kiefer, Wege der Weltweisheit, 1977. Photo: Peter Cox
Play Van Abbe Part 4, installation view, 2011. Photo Peter Cox
Play Van Abbe Part 4, installation view, 2011. Photo Peter Cox
Play Van Abbe Part 4, installation view Van Abbemuseum. Photo Peter Cox
Play Van Abbe Part 4, installation view Van Abbemuseum. Photo Peter Cox
installation view Katharina Sieverding, Nachtmensch, 1971. Installation view Van Abbemuseum. Photo Peter Cox
installation view Katharina Sieverding, Nachtmensch, 1971. Installation view Van Abbemuseum. Photo Peter Cox
Erwin Van Doorn, ... maar nu moet het maar ..., 2007 – 2010. Zaaloverzicht Van Abbemuseum_photo Peter Cox DSC9886
Erwin Van Doorn, ... maar nu moet het maar ..., 2007 – 2010. Zaaloverzicht Van Abbemuseum_photo Peter Cox DSC9886

exhibition

Opening: Saturday, 26 February 2011 16:00

The Pilgrim, the Tourist, the Flaneur (and the Worker)

Play Van Abbe Part 4

Artists: Gerrit van Bakel, Georg Baselitz, Joseph Beuys, Marcel Broodthaers, James Lee Byars, Sarah Charlesworth, Robert Delaunay, Thierry De Cordier, Braco Dimitrijevic, Erwin van Doorn, Barry Flanagan, Hamish Fulton, Douglas Gordon, Jenny Holzer, Anselm Kiefer, Surasi Kusolwong, Richard Long, Christina Lucas, Klaus Mettig, Piet Mondriaan, Deimantas Narkevičius, Marko Peljhan, Pablo Picasso, David Robilliard, Oliver Ressler, Martha Rosler, Ulay / Abramovic, Katharina Sieverding, Jan Vercruysse, Andy Warhol, Yang Zhenzhong, Erwin van Doorn & Inge Nabuurs

Speakers: Charles Esche, Matthijs Rümke

Curators: Charles Esche, Christiane Berndes, Galit Eilat, Steven ten Thije, Diana Franssen

There is not one way to look at an artwork and in Play Van Abbe Part 4 visitors are literally invited to play a certain role; that of the pilgrim, the tourist, the flaneur and the worker. The way in which you will experience the museum and its art will depend on your role. Roles aren’t fixed, visitors are free to change them during their visit. The choice of works in the exhibition is based on the Van Abbemuseum’s collection supplemented by a number of key loans.

The roles

In the fourth part of Play Van Abbe, the museum focuses on the criteria that visitors often use to make judgements about art. These criteria have become more complex and uncertain over the last years and are certainly no longer limited to the old measures of beauty and truth.
The title of the exhibition describes possible roles that a museum visitor can play when looking at an artwork or exhibition. Each of these roles experiences the museum in a different way and each will have their own ‘tools’ to explore the museum. Roles are never fixed and visitors can change them during their visit, or revisit rooms in a new character. Neither do they represent a hierarchy of experience and, in fact, each might be said to fill in the lack in the others.

The Pilgrim
Walking a private, spiritual road, the pilgrim seeks enlightenment through contemplative observation. Texts and objects are continuous reinforcements of the pilgrim’s belief. Consequently, the journey itself becomes as significant as the destination.

The Tourist
Taking a break from the daily routine, the tourist looks for the experiential and the unusual. The tourist mostly enjoys those things declared by the guidebook as ‘authentic’, and understands the essence of things back home by exploring new environments.  

The Flaneur
Wandering about with no declared aim, the flaneur is open to everything while committing to nothing. Never belonging, always distant from reality and using encounters to illustrate own internal narratives.

The Worker
The worker is up for the challenge. Involved and engaged he figures out reality via action and production. 

The roles are not meant to clarify whether something is good or bad art, but open up new perspectives for a visitor on the artworks, the exhibition and the museum as a public place for experience and exchange.

In order to assist visitors on their journey, there will be a number of ‘game masters’ in the museum. They will guide each role and help with orientation and giving feedback.

The artworks

In the Oudbouw (old building) of the museum the symmetry of the architecture has been exploited to construct a three-dimensional mandala in which visitors are taken on a journey through a landscape of artworks about individual and collective social experience. Works are on show by Ulay / Abramović, Georg Baselitz, Joseph Beuys, James Lee Byars, Hamish Fulton, Douglas Gordon, Jenny Holzer, Anselm Kiefer, Richard Long, Oliver Ressler, and others.

On the ground floor of the Nieuwbouw (new building) the exhibition continues, following a parcours that resembles a stroll through an unknown city. Visitors in their various roles can stay on the street or take a look behind the facades to discover more intimate and private artworks. Works by Sarah Charlesworth, Robert Delauney, Erwin van Doorn & Inge Nabuurs, Barry Flanagan, Surasi Kusolwong, Katharina Sieverding, Andy Warhol and Yang Zhengzhong, amongst others. 

video

video

Made possible in part by

BankGiro Loterij Mondriaan Stichting The Province of Noord-Brabant SNS REAAL Fonds VSBfonds

The Pilgrim, the Tourist, the Flaneur (and the Worker) - Play Van Abbe Part 4 is part of: Play Van Abbe

Van Abbemuseum
Bilderdijklaan 10
5611 NH Eindhoven
The Netherlands
T: +31 40 238 1000
info@vanabbemuseum.nl


Disclaimer & Colofon

Opening hours: Tuesdays to Sundays from 11:00 to 17:00 hours.
Every first Thursday evening the museum is open until 21:00 hours.
From 17:00 hours the admission is free.

 

 

The Van Abbemuseum is supported by ao: