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Materializing "Six Years" : Lucy R. Lippard and the emergence of conceptual art

  • Morris, C; Bonin, V; Bryan-Wilson, J
  • Language: en
  • Impressum: Cambridge [etc.] : MIT Press Books, 2012
  • Binding: Boek; (XX, 275 p.) ill
  • Artist(s): Lippard, Lucy R.; Brouwn, Stanley; Haacke, Hans; Wilson, Ian; Baldessari, John
  • Location: CONCEPTUELE KUNST
  • ISBN/ISSN: 9780262018166
  • VUBIS: 89307
  • Annotation: Met lijst werken. - Met bio- en bibliografie

Description Materializing "Six Years" : Lucy R. Lippard and the emergence of conceptual art

Tent. Brooklyn, Brooklyn Museum, 14-09-2012, 03-02-2013. - Publicatie documenteert de groepstentoonstelling die de materialisatie vormde van de spraakmakende kritische bibliografie over de conceptuele kunst uit 1973 van de Amerikaanse critica en curator Lucy Lippard (New York 1937) en traceert de grenzen van curatorische en artistieke praktijken. - In 1973 the critic and curator Lucy R. Lippard published Six Years, a book with possibly the longest subtitle in the bibliography of art:. Six Years not only described and embodied the new type of art-making that Lippard was intent on identifying and cataloging, it also exemplified a new way of criticizing andcurating art. Nearly forty years later, the Brooklyn Museum takes Lippard's celebrated experiment incurated concatenation as a template, turning a book that resembled an exhibition into an exhibitionmaterializing the ideas in her book. The artworks and essays featured in this publication recall the thrill that was tangible in Lippard's original documentation, reminding usthat during the late sixties and early seventies all possible social and material parameters of art(making) were played with, worked over, inverted, reduced, expanded, and rejected. By tracing Lippard's own activities in those years, the book also documents the early blurring of boundaries among critical, curatorial, and artistic practices. With more than 200 images of work by dozens of artists (printed in color throughout), this book brings Lippard's curatorial experiment full circle

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