programme

Piero Gilardi, Puzzle Nature 2, 2012. Installation view Van Abbemuseum. Photo Peter Cox
Zaaloverzicht Piero Gilardi - samen werken, Van Abbemuseum 2012. Foto: Peter Cox
Zaaloverzicht Piero Gilardi - samen werken, Van Abbemuseum 2012. Foto: Peter Cox
Zaaloverzicht Piero Gilardi - samen werken, Van Abbemuseum 2012. Foto: Peter Cox
Zaaloverzicht Piero Gilardi - samen werken, Van Abbemuseum 2012. Foto: Peter Cox
Zaaloverzicht Piero Gilardi - samen werken, Van Abbemuseum 2012. Foto: Peter Cox
Zaaloverzicht Piero Gilardi - samen werken, Van Abbemuseum 2012. Foto: Peter Cox
Zaaloverzicht Piero Gilardi - samen werken, Van Abbemuseum 2012. Foto: Peter Cox
Piero Gilardi, Puzzle Nature 2, 2012. Installation view Van Abbemuseum. Photo Peter Cox
Gilardi VESTITO-NATURA-ANGURIA
Piero Gilardi, Granoturco caduto, 1968
Piero Gilardi in Uomo Vogue, 1966
Piero Gilari, Totem domestico, 1964. mostra CCC
Piero Gilardi, Sandali e pettine, 1967
exhibition

Piero Gilardi – Collaborative Effects solo exhibition

08/09/2012 - 06/01/2013

This exhibition, dedicated to Piero Gilardi (Turin, 1942), signals the comeback to the Dutch art scene of an artist who was a decisive contributor to the birth of a movement that was to change European art drastically in the middle 1960?s: Arte Povera. Therefore this exhibition fits in the line of solo exhibitions at the Van Abbemuseum of 'rediscovered' artists like Allan Kaprow, Lee Lozano and Lynda Benglis.

The exhibition will focus on his works from the period 1963-1985. Gilardi initially produced large, hyper-realistic sculptures of polyurethane foam, the so-called Nature Carpets. With these interactive sculptures he tried to give new meaning to interaction between viewer and artwork and nature and culture.

He acquired also great reputation as a critic of the art movement which he himself called “Micro Emotive Art” and was named “Arte Povera” by Germano Celant. In the seventies, he stopped his work as an artist and travelled, wrote theoretical analyses and was involved in political, cultural and social issues. This part of his artistic practice will be on display via documentation and photographs. In 1983 he returned to the art world and began a new series of “Nature Carpets”. His main themes now were the new media, virtual reality and interactive installations. He is also working on so-called Relational Art-projects in which he combines political activism and social goals around nature and society.

The exhibition is made in collaboration with Castello di Rivoli, Turin/Rivoli. There will be a catalogue published with an interview with Gilardi by Andrea Bellini and texts by Christian Rattemayer and Diana Franssen. Publ. JRP. Ringier, Zurich.

Curator
Diana Franssen

This content is being blocked for you because it contains tracking cookies. Would you like to view this content? By clicking here, you will automatically allow the use of tracking cookies.
This content is being blocked for you because it contains tracking cookies. Would you like to view this content? By clicking here, you will automatically allow the use of tracking cookies.