Yael Davids - A Daily Practice
Yael Davids A Daily Practice
This summer you can experience Yael Davids: A Daily Practice at the Van Abbemuseum in Eindhoven. A selection of Davids’ own work – varying from sculpture to performance and installation – can be viewed throughout ten galleries in combination with works by such artists as Hilma af Klint, Lee Lozano, Adrian Piper and stanley brouwn. A number of these works will be exhibited in the Netherlands for the first time. The school programme, consisting of demonstrations and Feldenkrais classes, had to be postponed. Newly conceived classes by Davids, in relation to works from the Van Abbemuseum’s collection, are now planned for September.
The exhibition marks a unique moment in Davids’ career: in the fall of 2020 she will be the first candidate to complete the three-year research trajectory leading to the title Creator Doctus (CrD). The programme, set up by the Gerrit Rietveld Academy in Amsterdam culminates in a collection of artistic works or projects, such as the exhibition A Daily Practice, rather than a written thesis. Davids’ research, commissioned by the Van Abbemuseum, focuses on somatic learning and is inspired by the work of Moshé Feldenkrais (1904-1984).
He developed a method based on the principle that changing the way we move leads to a change in how we think, observe and feel. This principle has inspired Davids’ approach to the museum, its collection and the exhibition. Davids wants to challenge habitual patterns of looking at art within the walls of the museum. For the Van Abbemuseum, the exhibition represents a step in the development of new ways for visitors to experience art: through movement and the body, rather than only with the eye or the intellect
“For the exhibition I approached the Van Abbemuseum as a body to be explored. A long hanging textile, works on loan and works from the collection are conceived as a spine, limbs and stomach.” - Yael Davids.
As preparation for the exhibition, Davids conducted extensive research into the Van Abbemuseum collection. She was troubled by the absence of female artists in the collection with whom she felt an affinity. Davids subsequently compiled her own collection for the exhibition with works by artists whose process, views, position and life have played an important part in her own development as an artist. Loaned works by Noa Eshkol, Hilma af Klint, Lee Lozano, Adrian Piper and Andy Warhol/Jill Johnston can be seen, as well as works from the collection by stanley brouwn, Anna Boghiguian, General Idea, El Lissitzky, Bruce Nauman and László Moholy-Nagy. All these artists used their work to challenge physical borders, social conventions and traditional processes of learning.
Current Indian customs regulations means the works by Nasreen Mohamedi could not remain in the Netherlands for more than six months. As the exhibition dates were changed as a result of Covid-19 the works have been returned to the Kiran Nadar museum.
Davids has produced several new works for the exhibition that will heighten bodily awareness in the exhibition space. Visitors will have to manoeuvre themselves between large plates of glass. A 50-metre-long hanging textile installation will both connect and divide five galleries. In conjunction with guest curator Frédérique Bergholtz, Davids has developed a Feldenkrais demonstrations including works form the Van Abbemuseum collection, performed by members of Davids’ Feldenkrais groups in Amsterdam and Eindhoven. These demonstrations will be performed by participants in Davids’ weekly Feldenkrais classes in Eindhoven and Amsterdam and involve works from the Van Abbemuseum collection.
Davids’ work Reading that Loves - A Physical Act will also be on display, a work that was previously exhibited at Documenta 14 in Athens. This installation is a tribute to the historical figures Else Lasker-Schüler, Rahel Varnhagen, Cornelia Gurlitt and Julia Aquila Severa. The lives of these four fascinating women (all born before 1890) were characterised by attempts to enter the public domain while not conforming to the prevailing norms applicable to their gender, social background and appearance.
A booklet has been developed for the exhibition, with texts by Yael Davids. Available in the webshop for € 3.
The core of the programme, including Feldenkrais lessons with works form the museum's collection is planned for September. Confirmation and details will be sent out via our newsletter.
Everyone is welcome in the Van Abbemuseum. See here how the museum is accessible to all.
About Yael Davids
Yael Davids (Jerusalem, 1968) studied visual arts at the Gerrit Rietveld Academy in Amsterdam, sculpture at the Pratt Institute in New York and choreography and dance education at the Remscheid Akademie in Remscheid. She recently completed a three-year course to become a Feldenkrais practitioner. Davids’ became more widely known for her work at the end of the 1990s. Her work often consists of performances and videos in which the human body plays a central part. In 2018 Davids exhibited at the Museo Tamayo in Mexico City and in 2020 she will take part in the Liverpool Biennial. Yael Davids lives and works in Amsterdam.
Watch: Yael Davids about A Daily Practice
Sound recording of Lengthening and twisting the arms and the knees, by Yael Davids (1 hour)
Below, you can listen to a Feldenkrais lesson Yael Davids gave to a group of people at the museum on February 24th. A number of people in this group were introduced to Feldenkrais for the first time, so you will hear how Yael guides someone personally and gives instructions. The recording gives you an idea of how Yael Davids puts the Feldenkrais method into practice.
Dutch class to take at home: Shoulder and hip circles, by Marieke Willekens (1 hour)
This sound recording is a full Feldenkrais lesson, recorded on February 24th, which you can do at home. Marieke is one of the teachers who, together with Yael, has been giving lessons to a permanent group of people in the museum in the run-up to the exhibition A Daily Practice. She has her own teaching practice in Den Bosch. If you want to participate, make sure you look for a quiet place where you can lie on a mat or blanket on the floor. The movements you make in this practice are very slow, do make sure you're dressed warm enough.