deviant practice 2018-19
Research Grants 2018-19: Deviant Practice
We understand deviance as veering off the entrenched path. For the modern art museum such as Van Abbemuseum these paths emerged from the west’s understanding of itself and by inference its relationship to others. Deviance therefore necessarily involves challenging long-held institutional, racial, geo- and bio-political assumptions. We understand the prefix "de" in deviance in relation to notions of demodernising, decolonising, deprivileging or decentralising—key strategies we hope to continue to explore. We also understand deviance as an opportunity to reflect on the manner in which we approach our own practices and protocols: questioning past suppositions, hierarchies and modes of working might be one way to institute deviance. At the same time, deviance should also concern itself with how we find paths through the present and towards the future
The focus is on two research tools: Archives and Constituencies.
The archive: The Van Abbemuseum understands the archive as encompassing the collection of art works, the library’s collection and the museum’s paper archives. Within the museum it plays a central role in the formation, categorization and preservation of histories. As such, it is a contested site and needs to be continually interrogated. We are seeking proposals that challenge the role, status and use of the archive and the narratives it can produce.
Public groups (constituencies): We feel that today, more than ever, a museum cannot define its subjects. It needs to understand them and form joint positions with them. We wish to further our understanding of how to work with and through constituencies both locally and internationally. We are seeking proposals that address the museum’s ongoing engagement with its existing constituent groups with whom we will connect you, as well as with new groups.
Researchers will be given open access to the museum archives and networks to be negotiated on an individual basis. They are expected to present an internal seminar for museum colleagues at the start of their research and a public paper for publication within the Van Abbe and/or L’Internationale digital platforms in early 2019.
Within the context of the Van Abbemuseum's Deviant Practice research program, a number of research grants have been awarded to artists, archivists, writers and curators:
Deviant Practice 2016–17
The research programme Deviant Practice 2018–19 programme is sponsored by Mondriaan Fund.
Researcher and visual artist with projects that approach the system of visual arts itself, specially its physical and virtual spaces of legitimization, and focus on decoding the field, revealing its hidden procedures. For his PhD (Unicamp, BR, and exchange at University of Arts of Helsinki, FI), Moreschi conducted emancipated experiences at historical museums in South America and Europe. Work in collections of São Paulo Museum Contemporary Art, Colombia National Museum and CA2M.
Evelien Scheltinga is a curator and researcher, recently graduated her curatorial masters and her masters in contemporary art (cum laude) both in Amsterdam. Scheltinga took part in the research for the exhibition The Stedelijk in wartime and had a curatorial traineeship at the Van Abbemuseum, Eindhoven. Besides her work for Studio Jonas Staal, she is part of a research group based in Morocco, focussing on different museum models.
Ana S Gonzalez Rueda is a PhD Candidate at the University of St Andrews and an independent curator. Her research addresses the inherent educational relations of the exhibition space and the contribution of radical pedagogies to curatorial practice. She holds an MA in Curating Contemporary Art, University of Essex (2012).
Michelle de Wit
Michelle de Wit completed the research master Arts and Culture: Art Studies at the University of Amsterdam in 2017. Her research revolves around the intersection between photography, ideology, propaganda, and cultural memory. She previously presented her research-in-progress during the international conference Dictators and Degenerates: Modernism, Fascism, and the Pursuit of Culture at Dublin University College. She is currently working on a PhD proposal.
Sam Ashby is a British artist, graphic designer, and publisher. Since 2010 he has collaborated with writers, academics, and artists on his publication Little Joe, ‘a magazine about queers and cinema, mostly.’ He continues to work as a film poster designer, designing artwork for independent and art-house films for the UK and international markets. His first film, The Colour of His Hair (2017) premiered at International Film Festival Rotterdam 2017 and won the Best Documentary prize at London Short Film Festival 2018.
Eimear Walshe is a sculptor and writer and researches queer theory and feminist epistemology. For the second time, they are chosen to be a research fellow at the Van Abbemuseum, Eindhoven. They will try to initiate The Department of Sexual Revolution Studies.