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Compass 1 : 1945-1961 Painters from Paris

https://mediabank.vanabbemuseum.nl/vam/files/alexandria/publiciteit/zaaloverzichten/1961/kompasI/1961_kompasI001.jpg
https://mediabank.vanabbemuseum.nl/vam/files/alexandria/publiciteit/zaaloverzichten/1961/kompasI/1961_kompasI003.jpg
https://mediabank.vanabbemuseum.nl/vam/files/alexandria/publiciteit/zaaloverzichten/1961/kompasI/1961_kompasI004.jpg
Alechinsky, Pierre
Appel, Karel
Bazaine, Jean
Bissière , Roger
Corneille
Damian, Horia
Dubuffet, Jean
Estève, Maurice
Fautrier, Jean
Francis, Sam
Hartung, Hans
Herbin, Auguste
Manessier, Alfred
Messagier, Jean
Michaux, Henri
Mitchell, Joan
Moser, A.
Nallard, Louis
Pignon, E.
Poliakoff, Serge
Riopelle, Jean-Paul
Saura, Antonio
Soulages, Pierre
Staël, Nicolas de
Tal Coat, Pierre
Tàpies, Antoni
Vasarely, Victor
Velde, Bram van
Vieira da Silva, Maria Helena
Wemaëre, P.
Wols
Van 09-12-61 tot 12-02-62

Groepstentoonstelling - Opening : mr. Y. Scholten (staatssecretaris Onderwijs, Kunsten en Wetenschappen) ; Th.B.M. van Eupen (wethouder Onderwijs en Culturele Zaken). - Inleiding : E.L. L. de Wilde. Ter gelegenheid van het jubileum werden op het voorterrein drie sculpturen geplaatst van Rik Wouters, Pierre-Auguste Renoir en Auguste Rodin - Met documentatie - Foto 1-4: Van Beurden; foto 4-15: Stedelijk Van Abbemuseum

Starting point of this exhibition was to investigate the connection between Paris/France and the Netherlands, since many Dutch artists traveled to the south to be inspired. The exhibition tried to grasp the French modern art after WWII, what was so special about geographical category and how this French approach on making art influenced other artists. These art expressions were divided into four categories, in which each category represented a certain attitude on the relation between visible reality and the visual translation of this into art. What was the attitude of several artists towards their abstract artworks, were they mainly based on nature or personal feelings or abstract ideas? Ideas about whether the emphasis of their art should be more on the subconscious influences or the rational ones differed. he exhibition made these various approaches and attitudes in the context of the Paris art world visible. (Janna E. Adriaanse, 2015)